In the mid-1990s, while working for another guidebook
publisher best not mentioned by name, I wrote a sidebar about the so-called “Menem Trucho” (“Bogus
Menem”), a pseudo-banknote glorifying then President Carlos Menem.
It was the work of Armando
Gostanián, a political hack who was then in charge of the Casa de la Moneda, Argentina’s
national mint. It also included the punning motto “1 Valor Que Estabilizó al
País,” mimicking the numerical value of a real banknote while suggesting that
Menem possessed “Bravery That Stabilized the Country” (which admittedly, had
been chaotic when he won the office in 1989).
Gostanián’s big problem was that he used official paper to
create the pseudo-banknote – the equivalent of the US mint printing a fake
dollar bill to promote the re-election of a sitting president. That got him in
hot water, though nothing eventually came of it and, several years later, Menem’s
abortive re-election campaign came up with a less official-looking substitute that
extolled his “10 Years of Stability” and his “Muestra de Capacidad.” The latter
was also a pun, praising his “Proof of Ability” but, at the same time, it
openly admitted that it was a “sample,” not an official banknote.
Clarín used my piece to establish a parallel with
Argentina’s current vice-president Amado Boudou, presently
under investigation for influence peddling over contracts awarded for the
printing of 100-peso banknotes. The kicker is that the guitar-playing
vice-president has become the subject of his own photoshopped “Boudou Trucho.” Text
on the note says, among other things, “Banco Central de la Guitarrita
Argentina” (Central Bank of the Little Argentine Guitar). It’s only fair to add
that Clarín is an outspoken editorial critic of the administration of Cristina
Fernández de Kirchner.
Political motives aside, it’s flattering to see one’s work
acknowledged in public. What’s disappointing is that Clarín attributes my
writing to a redactor (“editor” in Spanish), but that’s because my former
publisher, unfortunately, holds copyright to the work. That is the case with
most guidebook publishers, though Moon is a welcome exception.
Banknote Novelties
Over the course of 30-years-plus living and traveling in
Argentina, I’ve seen Argentine currency evolve (?) from the peso ley (1970-1983)
to the peso
argentino (1983-1985) to the austral (1985-1991) to
the peso
convertible (1992-present), with banknotes that sometimes are barely worth
the paper they’re printed on. When my wife and I married in 1981, we changed cash
gifts of 3.6 million pesos ley into dollars as quickly as we could.
While the current peso is perhaps misnamed – given recent
exchange controls, it’s hard to call it truly convertible – some new banknotes
may soon appear in Argentine wallets and handbags. Next month, on
the 60th anniversary of Evita Perón’s death, the government will
issue a new five-peso note with her likeness (based on one that never
reached circulation when, in the mid-1950s, a military coup overthrew Juan Domingo Perón). At
the same time, the government is due to decide whether a new 500-peso note will
bear the image of Perón or former President Hipólito Yrigoyen,
though the photoshoppers have suggested that the late President Néstor Kirchner
might be the most suitable choice for a bill that, effectively, acknowledges
the inflation that’s taken place under his government and his widow’s.
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