Now, after reading Ian Mount’s The
Vineyard at the End of the World, I realize that many if not most Argentine
wines of that era probably were worth less than a plastic bottle of colored,
carbonated, artificially sweetened water. In this entertaining analysis of
vines, wines, egos and intrigues, from colonial times to the present, the
Buenos Aires-based writer points out that Argentines primarily consumed cheap
table wines by producers who valued quantity over quality. Under the 1976-83
military dictatorship, which took over managing the bodegas of the shadowy
dealer Héctor
Greco (it’s hard to call him a producer), domestic bulk wine prices fell by
more than 80 percent.
In retrospect, though, hitting bottom was the best thing
that could have happened. The rest of Mount’s story builds on the eye-opening
experience of Nicolás
Catena, one of the few winemakers who managed to survive the crash of the
1980s, who visited the Napa Valley while on sabbatical in Berkeley. His
experience there gave Catena (whose
daughter Laura wrote the Vino Argentino guide that I reviewed a little over
a year ago) the idea that, like Napa, his Mendoza
homeland could produce New World wines to challenge the hegemony of European
producers.
Catena started with traditional French varietals like
Chardonnay and Cabernet Sauvignon and had success with those, aided by
consultants such as the American Paul
Hobbs. Technological innovations included drip irrigation instead of flooding
the fields, stainless steel tanks in place of epoxy-lined vats, and oaken
barrels in lieu of picturesque but useless casks. They took advantage of
Mendoza’s unique micro-climates, where high-altitude vineyards favorably altered
the balance between sugars and tannins.
Sooner than anyone expected, Argentine wines were drawing
attention from figures like Robert Parker,
but they did not gain their real identity until a group of adventurous Tuscans rescued
the overlooked Malbec grape
from obscurity. Nearly extinct in its southwestern French homeland, it had
survived as old-growth vines in Mendoza, and the Italians turned it into gold –
in fact, the book’s subtitle is “Maverick Winemakers and the Rebirth of
Malbec.”
Malbec’s become such a success that even French vintners have
turned their attention back to the grape that Michel Aimé Pouget had brought to
Mendoza in the 1850s. It’s worth adding that other European consultants, most
notably Michel Rolland,
have played key roles in the Mendoza boom, which has made the western desert
city a destination for tourists as well. So many wineries are open for tours
and tasting, it’s hard to keep track of them, and that’s without even
mentioning underrated areas like the northern province of Salta, renowned for
its fruity white Torrontés.
No comments:
Post a Comment