Showing posts with label Festival de Tango. Show all posts
Showing posts with label Festival de Tango. Show all posts

Tuesday, September 19, 2017

Is Francis a Freudian? The Pope and His Shrink

Earlier this month, the world’s most prominent religious figure made international headlines when Pope Francis acknowledged that, in his early forties, he had regularly visited a Freudian psychoanalyst for several months. Now 80, the Pontiff wouldn’t reveal the reason for what, statistically at least, would appear to be a midlife crisis, but his position and celebrity made this a high-profile story.
The Facultad de Medicina at the Universidad de Buenos Aires is a hotbed of Freudianism.
For many, there’s still a stigma associated with psychoanalysis, and the Catholic Church was slow to accept the idea. Still, while New Yorkers may stereotypically chatter about their therapists, the porteños of Buenos Aires can match or surpass them—in the Argentine capital, psychoanalysis and other therapies are not for the upper and upper-middle classes alone. Once, during registration time at the Universidad de Buenos Aires medical school, I saw a flurry of flyers offering psychoanalysis and psychotherapy with UBA professionals—the first session free—for individuals, couples, and groups. Subte handouts may declare that “Asking for help is the start of solving the problem” and tempt commuters with “unlimited sessions.”

Francis had his therapy during the dictatorship of the “Proceso” but, at the turn of the century, the therapy obsession was at least partly a function of economic crisis, and even the former corralito banking restrictions have been interpreted in this context. In an early 2002 interview with National Public Radio’s Martin Kaste, a Freudian psychiatrist argued that “Money has a certain symbolic equivalence to the penis. People put their money in the bank, but at the moment they want to withdraw it they lose their money, so this produces a castration anxiety.”
"Tango therapy" may be an option - Francis was a dancer in his youth.
Another claimed that “sexual desire has also been caught in the corralito—men worry about lack of desire and premature ejaculation, and women are unable to have orgasms.” The 2002 Festival de Tango even included a session on Tango de Autoayuda (Self-Help Tango). Meanwhile, angry real-estate brokers picketed the residence of caretaker President Eduardo Duhalde—himself a former realtor—but not necessarily in hope of any relief for a frozen real-estate market. Rather, proclaimed one protestor, “This turned into our therapy, a place to set our anguish free.”
Clients purchase their meds at Farmacia Villa Freud.
Therapy, though, is not just a function of recent times; it began with the 1930s arrival of Jewish refugees from Europe. Historian Mariano Ben Plotkin has chronicled this tale in Freud in the Pampas: the Emergence and Development of a Psychoanalytic Culture in Argentina (Stanford University Press, 2001). Many of Buenos Aires’s thousands of shrinks practice in Palermo’s so-called Villa Freud, where their clients can top off their meds at the Farmacia Villa Freud. One online magazine specializes in listings for professional office rentals, and even acting classes are often exercises in therapy.
In 2002, the Centro Cultural Borges paid Freud a month-long homage.
Institutions add to the therapeutic ambience. The Asociación Psicoanalítica Argentina once organized a month-long exhibition on “Psychoanalysis, Culture and Crisis” at the Centro Cultural Borges. The Museo de Psicología Experimental Horacio Piñeiro recounts the experimental efforts of an early-20th-century pioneer. Villa Freud’s everyday literary locus is Librería Paidós, an inconspicuous bookstore in a small shopping gallery, but the annual Feria del Libro always shows the latest in psychoanalytic scholarship.
Amateur and professional Freudians crowd the display at Buenos Aires's 2016 book fair.
In Argentine cinema, therapy is no less common than in Woody Allen films—in Rodolfo Durán’s 2007 comedy Terapias Alternativas (Alternative Therapies), an apathetic loner psychoanalyst winds up unexpectedly caring for his own son by a brief relationship and simultaneously sharing accommodations with a suicidal patient. Woody himself is a great favorite, for that matter; he once even suggested he might film in Buenos Aires.
"Help Me, Dr. Freud!" - a stage play in downtown Buenos Aires.
Not that long ago, a hit play on Avenida Corrientes went by the title Therapy…If Only Freud Could See This, but such matters are not always humorous. In the summer of 2010, after junior lightweight boxer Rodrigo “The Hyena” Barrios killed a pregnant woman in a Mar del Plata hit-and-run, he took several hours to surrender to police, apparently to avoid alcohol and drug tests. In the ensuing days, he managed to remain free on bail as he underwent “psychological testing,” but he is currently in prison.
A year ago in May, the Argentine Psychoanalytic Congress held its annual meetings in Recoleta.

Where the Pope fits into this context is open to speculation. Might it be that, in his midlife crisis, he harbored doubts about the existence of a supernatural being for which there is no empirical evidence? Freud, after all, dismissed theistic beliefs as a collective neurosis.

Wednesday, August 24, 2011

Surfin' Tango


At first glance this might seem off-topic to a post on Buenos Aires but, last Saturday night, my wife and I went to see Los Straitjackets at the Great American Music Hall in San Francisco. After all, the Straitjackets are a Nashville-based instrumental surf music band whose members all wear Mexican lucha libre wrestling masks on stage. While they sometimes play with guest vocalists, they almost never sing, and only speak to introduce their songs in broken Spanish.

All that said, there is a Buenos Aires connection here – a few years ago, in the basement of the downtown Club Unione e Benevolenza (the Italian Benevolent Union, pictured above), I saw the Straitjackets’ lead guitarist Danny Amis – also known as Daddy O Grande – on the same stage with the local surf bands Los Kahunas and The Tormentos. Yes, you read right – however improbable it might seem, there is a surf music scene in the birthplace of the tango. For the finale performance of “Pipeline,” not another musician could have fit on stage.

What’s more, surf music and tango are not incompatible, at least to judge from the work of Daddy O Grande and The Tormentos. In 2009, they performed “La Cumparsita” – possibly the most famous of all tangos, composed by the Uruguayan Gerardo Matos Rodríguez – on stage in Buenos Aires. The venue appears to be Palermo’s Niceto Club.

Unfortunately, Daddy O Grande did not appear with the Straitjackets last Saturday, as he is under treatment for multiple myeloma. The group’s tour continues in the Pacific Northwest and tonight, August 24, there will be a benefit concert for him in Boston. At none of these events, unfortunately, are you likely to hear “La Cumparsita.” Those of you in Buenos Aires may well hear it at Festival y Mundial de Tango, the tango festival and dance championship that continues through August 30 - but without that distinctive surf guitar.

Moon Handbooks Buenos Aires in Belmont (San Mateo County)
Next Tuesday, August 30, will mark the third of several digital slide presentations on the fourth edition of Moon Handbooks Buenos Aires, at various branches of the San Mateo County Library. The Tuesday event starts at 7 p.m. at the Belmont Library (1110 Alameda de las Pulgas, Belmont CA 94002, tel. 650/591-8286). There will be ample time for questions and answers, and books (also including Moon Argentina and Moon Chile) will be on sale (at a discount).

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Tuesday, September 9, 2008

The Tango Report

Last February, I wrote about the shifting of Buenos Aires's Festival de Tango to August, creating a "tango month" if you will, with the Mundial de Tango (World Tango Championships) following almost immediately. I wasn't able to go to Buenos Aires this month, but my friend Patricia Thaxter, who lives in BA and brings tango enthusiasts to the city through her Infusions Travel, has sent me a short report from which I will quote liberally.

According to Patricia, Sunday (August 31) "was the last day of the Campeonato; this year they had the two events back to back and at the same place...the exhibits and most activities were at Harrod's, the old department store building on Florida. It was actually a very nice venue, with wooden dance floors. All events there were free. Ariana and I got there just in time to watch an old 40´s movie (b&w) called El Tango Vuelve a Paris, with a famous singer, Rinaldi, and a famous bandoneon player, Anibal Troilo, who later formed his own, very famous tango orchestra. One of our friends who had a booth there said more people attended the festival week than the campeonato week. When we got there about 3pm it wasn´t crowded at all, but by 7pm when we came out of the movie, the place was packed!! There was tango dancing everywhere, in every spot where there was a wooden floor, and then a tango orchestra began playing and they had two couples dancing, the campeonato winners of tango salon of last year and then the ones that won this year! It was too crowded however to properly watch, so I only caught a few glimpses."

Patricia is mistaken about the tango singer, as an Argentine movie data base I consulted shows him to be Alberto Castillo (1914-2002). She is correct about Troilo, however.

Personally, I have been to the Festival de Tango several times and enjoy the diversity of both its participatory and spectator events. It's always struck me as odd, though, to have tango championships - as if they were like a soccer match, even if we acknowledge that some dancers are better than others. In my opinion, the festival should move back to February - when outdoor events are much easier to stage - to spread the tango wealth around the year. I like seeing performers like the casual street orchestra La Furca (pictured above).

Friday, February 1, 2008

Tired of the Tango?

Apparently Mauricio Macri is, or at least the newly elected mayor of Buenos Aires is tired of the people who have run the highly successful Festival de Tango for most of the last ten years. One of his first actions on taking office was to fire those in charge of the festival, which normally follows Brazilian Carnaval in late summer (February or early March). The pugnacious Macri has been trying, with limited success, to rid city government of ñoquis (ghost employees whose primary duties are picking up their paychecks at month's end), and this may have been part of his long-term strategy.

After Macri's functionary Hernán Lombardi denied the festival would be suspended, he replaced the staff with his own people, who then shifted it to August to precede the annual Mundial de Tango (World Tango Championships). Together, the two will fill the last two weeks of August, but visitors who planned their trips around the February/March event will be disappointed. There's still plenty of tango, but nothing quite matches the festival's critical mass of talent, both musicians and dancers. It's possible that next year's event will return to its normal schedule.

Economically speaking, tango is a critical part of the tourist economy. According to a recent Reuters article, it brings in US$450 million year year, about ten percent of all entertainment spending in Buenos Aires, and the "tango economy" is growing 25 percent annually. Giant dinner clubs with tango shows, such as the Esquina Carlos Gardel, charge upwards of US$100 per person and are running full, even though few Argentines (other than the performers) go anywhere near them.
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