When I was a young boy, more decades ago than I care to
admit, one of our cultural icons was the TV character of Zorro. Long
before I myself moved to California, the Disneyfied serial of an apparently
supercilious Spanish nobleman who secretly fought for the underdog was simultaneously
exciting and humorous (though some of the humor derived from Latino
stereotypes, like the bumbling Sergeant García). Disguised in mask and cape,
the figure of Don Diego de la Vega (played by Guy Williams) was
a charismatic fighter for justice in colonial Alta California.
"Zorro" fences with Argentine comedian Alberto Olmedo. |
My wife, growing up in Argentina, had a similar
experience. Even before her own family had television, she would travel to
visit her great-aunt in the Buenos Aires province town of Ituzaingó
and, rising early in the morning, would spend hours glued to the tube there.
Zorro was also one of her favorites, along with The Three Stooges, The Addams
Family, and Bonanza (in which Williams briefly played a small role).
As a series, Zorro ended in 1959, though it went through reruns
and showed even later than that in Argentina. Williams went on to other roles,
none of which I ever really noticed. Nevertheless, I was surprised to learn this week
that, after retiring from acting, Williams moved to Buenos Aires in 1973.
In 1973, Argentina was a chaotic country that did not
appeal to many American expats, but Williams (given name, Armand Joseph Catalano)
was the US-born son of Italian-Catalonian parents. Certainly Zorro’s popularity
helped and, perhaps, his ethnic background let him feel more at home at a time
when Argentina’s political institutions were unraveling. Three years later, a
military coup led to Argentina’s worst-ever dictatorship, which lasted until
1983.
During his retirement, Williams occupied an apartment in the
upscale barrio of Recoleta
and, on occasion, performed on Argentine television (the photograph at top
shows him fencing with slapstick comedian Alberto Olmedo in the
1970s). In May of 1989, though, he dropped out of sight and, shortly thereafter,
a police search of his apartment found that he had died, aged 65, of a brain
aneurysm. Interestingly, for an actor who played a Spanish nobleman, his ashes
spent two years in the elite Cementerio
de la Recoleta before being repatriated to California and scattered into
the Pacific at Malibu.
Williams continues to be a presence in Argentina, even
though he no longer resides in the apartment at Ayacucho
1964, around the corner from the landmark Café La Biela (pictured above), his frequent
hangout. There is, in fact, a website devoted to Guy Williams’ Argentina, which even
includes the apartment’s floorplan.
And Now for Something Completely Different
Today’s best known US expat may be Edward Snowden, the
former intelligence contractor who recently revealed the National Security
Agency’s surveillance (over)reach; after fleeing to Hong Kong and then Moscow,
he has requested political asylum from the government of Ecuador. In a lengthy
tongue-in-cheek analysis, Adrián Bono (a deputy editor at the Buenos Aires Herald) has used his
new website The
Bubble to suggest that Snowden should reconsider and ask for Argentine asylum,
and offers five detailed reasons for his doing so. If so Snowden might, like Guy Williams, be advised to adopt a stage name.
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